Anna Sui plans on improving her brand by bringing her clothing to the internet. Soon you will be able to buy her clothing for the first time from her website. This is a more economically smart decision than to open more Anna Sui stores around the world. She will probably continue to work on her popular cosmetics line by introducing more fragrances and make up to consumers. I think she will continue to be true to her brand by continuing to bring vintage rock n' roll styles for a fair price.
A light breeze whipped away the billowing black and white chiffon robes and Arabic headgear, revealing gilded, jewelled armour and crowns, at the Givenchy haute couture collection for autumn/winter 2009/10 in Paris this afternoon.
As two youths played the ‘karkabou’ – nomadic castanets which replicate galloping steeds on cobblestones – the models paraded on a wooden stage built, appropriately enough in a former stables, out in the 15th arrondissement.
Givenchy’s couturier and creative director, the young Italian, Riccardo Tisci – who is currently dressing Madonna for her “Sticky & Sweet” tour – took his inspiration from medieval queens and the robes of North Africa, updated with python, spike-heeled shoe-boots which would not last a second in the sands of the Sahara, and plastic embellishments.
The models were barefaced, their slicked-back hair semi-veiled in chiffon hoods and snoods which rested atop spiky, golden coronets. Their arms were encircled with gilded cuffs, their hands bristling with metal, knuckle-duster-rings.
The silhouette spoke of a sharply-tailored warrior-women or a more sensual harem-style seductress, who quite possibly had a dagger concealed in the folds of her sarouel-trousers or jet-jewelled belt.
The largely monochromatic palette was punctuated with dramatic gowns and trousersuits in a flesh-tone silk crepe, emblazoned with red and green spikes, cones and studs.
Folded peplums and pannier-effects on trousers and gowns echoed the olde-worlde nature of the silhouettes, in stark contrast to the modernist embellishments in cellophane.
The couturier, Christian Lacroix, fresh from his own emotion-charged showing, and the new designer at Emilio Pucci, Peter Dundas, were among the front-row guests.
<http://www.telegraph.co.uk/fashion/paris-haute-couture-week/5770688/Paris-Haute-Couture-Givenchy-by-Riccardo-Tisci-aw-0910-collection.html>Alexander, Hilary. July, 2009.
I love seeing couture shows, in comparison to the ready-to-wear shows, how the inspiration is much more tangible and obvious down to the runway set.